Kit List           

Production Kit

The best kit for action, scripted, storyboarded, in-studio, medium crewed shoots. It boasts a global shutter for capturing fast action and pans without rolling shutter artifacts. The Canon RF mount can be easily adapted to EF (included) or PL opening up most of the high-end cinema glass available. The Komodo has been the camera of choice in The Matrix Resurrected, Suicide Squad, Wednesday and more.

  • Red Komodo - 6k Super 35 Canon RF mount*

  • Canon RF to EF adapter

  • Sigma 18-35 f1.8

  • Contax Zeiss 28 f2

  • Contax Zeiss 50 f1.4

  • Helios 44-2 58 f2

  • Laowa 9 T2.9**

  • On-camera shotgun microphone***

  • 5” Monitor

  • Media & Batteries

  • Tripod

*Shoots RAW 6k up to 30p, 5k up to 48p, 4k 60p, 2k 120p

**Rectilinear, not fisheye

***3.5mm, scratch audio, for syncing purposes

Run n Gun

The best kit for unscripted, documentary, backcountry, slow motion, small crews dark, un-lit shoots. This kit doesn’t require a focus puller and can be set up to capture ambient sound without a dedicated sound operator.* This camera is Netflix approved and has been used on Hollywood productions like the Creator and countless documentaries.

  • Sony FX3 - 4k Full Frame E-Mount**

  • Sigma 28-70 f2.8

  • Tamron 35-150 f2

  • Polar Pro VND mist 2-5 & 6-9

  • Rode NTG-5 XLR Microphone

  • Rode Wireless Pro Lavaliers

  • 5” Monitor

  • Media & Batteries

  • Tripod

  • Shoulder Rig

  • Gimbal

*For shoots where sound is required for the story (i.e. dialogue, interviews) a dedicated sound operator is highly recommended

**Shoots 4k at 23.98, 30, 60, 120p

Interview Kit - 2 Camera

A mix of the two kits above plus a little grip and electric, tailored for a 2 camera interview set-up. We find this configuration has the perfect mix of high production value without intimidating your interviewee. After all the goal is to get a compelling interview and this kit will help you capture that

  • Red Komodo

    • Sigma 18-35 f1.8

    • or Contax Zeiss 28 f2

    • or Contact Zeiss 50 f1.4

    • Polar Pro Basecamp Mattebox

    • 5” Monitor

  • Sony FX3

    • Sigma 28-70 f2.8

    • or Tamron 35-150 F2

    • or Contax Zeiss 28 f2

    • or Contact Zeiss 50 f1.4

    • Polar Pro VND mist 2-5 & 6-9

    • 5” Monitor

  • Rode NTG-5 XLR Microphone

  • Rode Wireless Pro Lavaliers

  • Viltrox 120w COB Bowens Light

  • 120cm Softbox

  • Bounce

  • 2x C-stands

  • Boom Mic Stand

  • Sandbags

  • Tripods

  • Media

  • Batteries

Every shoot is different. Some talent & locations may require more or less equipment listed above